{"id":51582,"date":"2015-07-24T11:42:50","date_gmt":"2015-07-24T09:42:50","guid":{"rendered":"https:\/\/www.bbarch.it\/?page_id=51582"},"modified":"2016-06-21T09:30:48","modified_gmt":"2016-06-21T07:30:48","slug":"pubblicazioni","status":"publish","type":"page","link":"https:\/\/www.bbarch.it\/en\/essays\/","title":{"rendered":"Essays"},"content":{"rendered":"[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding” padding_bottom=”20″ padding_top=”20″ header_style=”light”][vc_column width=”1\/4″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]\n

ESSAYS<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding” header_style=”light”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid”][vc_column_text el_class=”.text_biblio”]\n

Autore
\nGIO PONTI<\/strong><\/h6>\n
Data
\nNOVEMBRE 1951<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

I mobili, l\u2019insegnamento e la vocazione di Albini, in \u00abDomus\u00bb, n.263<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”light” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nOLGA GUELF<\/strong><\/h6>\n
Data
\nGENNAIO 1952<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Steps toward mechanization in Milan, in \u00abInteriors\u00bb<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single” header_style=”light”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nNOVEMBRE 1953<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Facciata verso corte, in \u00abDomus\u00bb, n.288<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nOTTOBRE 1953<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Pharmazeutische Fabrik Farmitalia in Milano, in \u00abBauen + Wohnen\u00bb, n.5<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nVITTORIANO VIGAN\u00d2<\/strong><\/h6>\n
Data
\nDICEMBRE 1954<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Quelques exemples d\u2019habitations collectives en Italie, in \u00abArchitecture d’aujourd’hui\u00bb, n.57<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nG. SAMON\u00c0<\/strong><\/h6>\n
Data
\nAPRILE 1955<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Architetture di giovani, in \u00abCasabella-continuit\u00e0\u00bb, n.205<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nEZIO SGRELLI<\/strong><\/h6>\n
Data
\nAPRILE 1955<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Villaggio per minatori a Forni di Gavorrano, in \u00abCasabella-continuit\u00e0\u00bb, n.205<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nFEBBRAIO 1955<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Case in Via Rosellini a Milano, in \u00abVitrum\u00bb, n.64<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nNOVEMBRE-DICEMBRE 1956<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Abitazioni per dirigenti della Montecatini a Ferrara, di Ezio Sgrelli in \u00abCasabella-continuit\u00e0\u00bb, n.213<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nEZIO SGRELLI<\/strong><\/h6>\n
Data
\nAGOSTO 1957<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Case a Ferrara, in \u00abEdilizia Moderna\u00bb, n.61<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nC. PEROGALLI<\/strong><\/h6>\n
Data
\n1959<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Case ad appartamenti in Italia, G\u00f6rlich Editore, Milano<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nLUGLIO 1957<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Due case in condominio, in \u00abVitrum\u00bb, n.93<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nROBERTO PEDIO<\/strong><\/h6>\n
Data
\nNOVEMBRE 1958<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Concorso per una colonia a Brusson, in \u00abL\u2019architettura cronache e storia\u00bb, n.37<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nGIUSEPPE SAMON\u00c0<\/strong><\/h6>\n
Data
\nNOVEMBRE 1958<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Franco Albini e la cultura architettonica in Italia, in \u00abZodiac\u00bb, n.3<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nPIER CARLO SANTINI<\/strong><\/h6>\n
Data
\nAPRILE 1959<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

The focus is on the young architects: Romolo Donatelli, Ippolito Malaguzzi-Valeri & Ezio Sgrelli, in \u00abZodiac\u00bb, n.4<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nB. FOERSTER<\/strong><\/h6>\n
Data
\n1961<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Pattern and texture, Allied Mansory Council, Washington D.C.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nF. TENTORI<\/strong><\/h6>\n
Data
\nMAGGIO 1961<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Quindici anni di architettura italiana, in \u00abCasabella-continuit\u00e0\u00bb, n.251<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nEZIO SGRELLI<\/strong><\/h6>\n
Data
\nDICEMBRE 1962<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

La sua abitazione a Milano, in \u00abAbitare\u00bb, n.12<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\n1962<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Elle enne nell\u2019architettura, Societ\u00e0 del Linoleum, Milano<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nEZIO SGRELLI<\/strong><\/h6>\n
Data
\n1964<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Uffici della direzione, mensa e foresteria della fabbrica Monteshell a Brindisi, in \u00abEdilizia Moderna\u00bb, n.82-83<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nIPPOLITO MALAGUZZI VALERI, EZIO SGRELLI<\/strong><\/h6>\n
Data
\n1964<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Padiglione ricreativo della Montecatini ad Affori, Milano, in \u00abEdilizia Moderna\u00bb, n.82-83<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nMARZO 1966<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

55 mq per una mansarda: diaframmi in legno isolano le varie zone, in \u00abAbitare\u00bb, n.43<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nSETTEMBRE 1967<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Laboratoires Glaxo, V\u00e8rone, Italie, in \u00abArchitecture d’aujourd’hui\u00bb, n.133 (numero monografico \u201cIndustrie\u201d)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nSETTEMBRE 1967<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Complexe p\u00e9trolchimique Monteshell, Brindisi, Italie, in \u00abArchitecture d’aujourd’hui\u00bb, n.133 (numero monografico \u201cIndustrie\u201d)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nL. PICA<\/strong><\/h6>\n
Data
\nAPRILE 1970<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Uno stabilimento farmaceutico alle porte di Milano, in \u00abIl nuovo cantiere\u00bb, n.4<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nFRANCO BASSI<\/strong><\/h6>\n
Data
\n1971<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Sertec SPA engineering consulting, Milano<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nLUCIANO PATETTA<\/strong><\/h6>\n
Data
\nGIUGNO 1973<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Alcune opere recenti del professionismo milanese, in \u00abControspazio\u00bb, n.1<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nANTONIO MIGLIASSO<\/strong><\/h6>\n
Data
\nSETTEMBRE 1975<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Un esempio di edilizia residenziale industrializzata a Milano, in \u00abLipe l\u2019industria italiana per l\u2019edilizia\u00bb, n.9<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nSETTEMBRE 1977<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Costruzioni a torre a Milano, in \u00abOttagono\u00bb, n. 46<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nOTTOBRE-NOVEMBRE 1978<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Gli anni di \u201cCasabella-continuit\u00e0\u201d. Nella linea del \u201clinguaggio moderno\u201d, in \u00abCasabella\u00bb, n.440-441<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nPIERO BOTTONI<\/strong><\/h6>\n
Data
\nGENNAIO-GIUGNO 1980<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Cultura internazionale per ricostruire Milano, in \u00abHinterland\u00bb, n.13-14<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nMARIAPIA MATTEOTTI<\/strong><\/h6>\n
Data
\nLUGLIO-AGOSTO 1980<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Marco Bertola, Ippolito Malaguzzi Valeri, Ezio Sgrelli, in \u00abUfficiostile\u00bb, n.4<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nV. GREGOTTI<\/strong><\/h6>\n
Data
\nGIUGNO 1981<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

La tradizione del razionalismo maturo, in \u00abParametro\u00bb, n.97<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nSERGIO CROTTI<\/strong><\/h6>\n
Data
\nMARZO 1985<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Architettura come costruzione: progetto e cultura politecnica lombarda, in \u00abCasabella\u00bb, n.511<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\nAPRILE 1986<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Uffici amministrativi di officina farmaceutica presso Incisa Valdarno (Firenze), in \u00abAbacus\u00bb, n.3<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nELENA BELLINI, ENRICO MORTEO, MARCO ROMANELLI<\/strong><\/h6>\n
Data
\nSETTEMBRE 1989<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Storia di sedie. Il progetto italiano dopo il 1947, in \u00abDomus\u00bb, n.708<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nANDREA CERQUIGLINI<\/strong><\/h6>\n
Data
\nMARZO 1992<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

I disegni della luce. Un negozio di arte esotica a Milano, in \u00abRassegna\u00bb, n.49<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nELENA RUSCONI<\/strong><\/h6>\n
Data
\nLUGLIO\/AGOSTO 1992<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Sapore di terre lontane, in \u00abRiabita\u00bb, n.7\/8<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\n2004<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Protagonisti. Studio BBarch, in \u00abDesignplaza\u00bb, n.3<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” box_shadow_on_row=”no” el_class=”.page_padding .row_single”][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Data
\n2005<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Confronto di carattere tra hi-tech e memoria, in \u00abDesignplaza\u00bb, n.4<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nFRANCESCA CAMPAGNOLI<\/strong><\/h6>\n
Data
\n2005<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

L\u2019estetica al servizio della funzionalit\u00e0, in \u00abProgetti – Milano\u00bb, n.3<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nPATRIZIA CARLINI<\/strong><\/h6>\n
Data
\nGENNAIO\/FEBBRAIO 2006<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Un\u2019oasi sui tetti di Milano, in \u00abRiabita\u00bb, n.1\/2<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nLUCIANO PATETTA<\/strong><\/h6>\n
Data
\nLUGLIO 2009<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

La scuola di Milano, in \u00abAL\u00bb, n. 7<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nM. VERGA<\/strong><\/h6>\n
Data
\nDICEMBRE 2009-GENNAIO 2010<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Sede Harken Italy a Limido Comasco, in \u00abTale&a\u00bb, n.18<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” header_style=”” anchor=”” in_content_menu=”” content_menu_title=”” icon_pack=”font_awesome” content_menu_fa_icon=”” content_menu_fe_icon=”” content_menu_ion_icon=”” content_menu_linea_icon=”” text_align=”left” video=”” video_overlay=”” video_overlay_image=”” video_webm=”” video_mp4=”” video_ogv=”” video_image=”” background_image=”” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” section_height=”” use_as_box=”” parallax_speed=”” background_color=”” logo_in_content_menu=”” custom_widget_area=”” content_menu_border_bottom=”” content_menu_border_color=”” content_menu_border_style=”solid” border_top_color=”” border_color=”” side_padding=”” padding_top=”” padding_bottom=”” color=”” hover_color=”” more_button_label=”” less_button_label=”” button_position=”” css_animation=”” transition_delay=”” box_shadow_on_row=”no” box_shadow_color=”” horizontal_offset=”” vertical_offset=”” box_shadow_blur=”” box_shadow_spread=”” el_class=”.page_padding” el_id=””][vc_column width=”1\/4″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” width=”” thickness=”” up=”” down=””][vc_column_text el_class=”.text_biblio”]\n

Autore
\nN. BELLONI, C. BOSIO, E. MENSA<\/strong><\/h6>\n
Data
\nNOVEMBRE\/DICEMBRE 2010<\/strong><\/h6>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][vc_column_text]\n[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid” el_class=”separator_to_hide”][vc_column_text el_class=”.text_biblio”]\n

Ezio Sgrelli a Milano e in Lombardia, in \u00abAL\u00bb, n.11\/12<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” in_content_menu=”” icon_pack=”font_awesome” text_align=”left” pattern_background=”” full_screen_section_height=”no” vertically_align_content_in_middle=”no” use_as_box=”” logo_in_content_menu=”” content_menu_border_bottom=”” content_menu_border_style=”solid” padding_top=”150″ box_shadow_on_row=”no” el_class=”.page_padding_finale”][vc_column width=”1\/1″][vc_separator type=”normal” position=”center” color=”#000000″ border_style=”solid”][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

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